Natalie Jeremijenko

jeremijenko_portrait.jpg

Photo: Natalie Jeremijenko

Natalie Jeremijenko, working at the intersection of contemporary art, science, and engineering, has completed an impressive number of projects individually and in collaboration with the artists’ collective, the Bureau of Inverse Technology (BIT). She creates “spectacles of participation” using robotics, genetic engineering, and digital, electromechanical and interactive systems, aimed at exposing, disrupting and redirecting the power that technology exerts on the human and natural environment.

Jeremijenko’s projects have included: Suicide Box, a vertical motion triggered camera unit which monitors and records activity around San Francisco’s Golden Gate Bridge; BitPlane, a device designed to circumvent the security systems of high tech corporate campuses in Silicon Valley; and BitRocket, which allows users to make accurate head counts at public demonstrations, and to document crowd interactions with police and security forces. For her Feral Robotic Dog Pack project Jeremijenko reprogrammed robot dogs “for semi-autonomous deployment” and set them loose to detect toxins in the local environment.

Many of Jeremijenko’s works investigate our disposition toward and impact on other species and the larger ecology. Her Uphone Sparrow Report used mobile phone networks to capture live data on the vanishing populations of sparrows around New York and London, while her robotic geese encouraged human controllers to learn about, and interact with, wild geese, instead of hunting them. Jeremijenko’s large-scale public artwork OneTree is 1,000 genetically identical micro cultured Paradox Vlach clones grown with the goal of providing a “public platform for ongoing discussions around genetic engineering.” A related software component measures the C02 in a computer’s immediate microenvironment, while Stump is a printer queue virus that counts the number of pages consumed by the printer; when the equivalent of one tree’s worth of pulp has been consumed, it automatically prints out a slice of tree.

Jeremijenko’s work has been exhibited internationally at prestigious venues that include Dokumenta and the Whitney Biennial. Her work has been discussed in both mainstream media such as The New York Times and in the art press. Jeremijenko is Professor, Visual Art, UCSD, and has recently held positions of Visiting Global Distinguished Professor, NYU; and Visiting Professor, Royal College of Art, London.

xdesign.nyu.edu

Natalie Jeremijenko / BIT
home page of the Feral Robotic Dogsproject website
Photo: Natalie Jeremijenko / BIT

Natalie Jeremijenko
homepage for OneTree: An Information Environment
Photo: Natalie Jeremijenko

Natalie Jeremijenko
clones, models and terrain map for the One Tree project
Photo: Natalie Jeremijenko

Natalie Jeremijenko / BIT
images collected by the Suicide Box
Photo: Jeremijenko / BIT

Natalie Jeremijenko / BIT
BitRocket schematic and image capture
Photo: Natalie Jeremijenko / BIT

Natalie Jereminjenko / BIT
Goosling_7714 robotic goose and feral goose
Photo: Natalie Jeremijenko / BIT